Politics of Play

30 octobre 2024, 7:00 PM–9:00 PM
Table rondeAtelier
Rejoignez-nous pour un atelier et une table ronde autour des pédagogies alternatives destinées aux enfants.
Mardi, 29 October 2024. L’atelier se tiendra dans les locaux de l’Atelier KANAL, 12 Square Sainctelette, 1000 Bruxelles, Belgique. Un thé sera servi à partir de 17:30 et l’atelier débutera à 18:00 précises. L’atelier est gratuit et se déroulera en anglais. Il est destiné aux professionnels de l’éducation.
Mercredi 30 Octobre 2024. L’évènement se tiendra dans les locaux du CIVA, Rue de l’Ermitage 55, 1050 Ixelles. Des boissons seront servies à partir de 18:30 et la table ronde débutera à 19:00 précises. La table ronde est gratuite et se déroulera en anglais. La session sur les pédagogies alternatives pour les enfants comprend une table ronde et un atelier.
Biographies
Emanuel Almborg
is an artist based in Stockholm and London. His practice is primarily based on moving images and engages with pedagogy, psychology and theatre. In 2015 he was a Whitney ISP fellow in New York and in 2021 he finished a PhD at The Royal Institute of Art in Stockholm (KKH) with the dissertation Towards a Pedagogy of the Utopian Image. Almborg is the driving force behind Switchers, a film and theatre collective with young people from London and rural Wales. He also studied psychoanalysis and child development at the Tavistock Institute in London and is currently doing a Postdoc combining art and psychology at KKH Stockholm and the BabyDevLab of the University of East London. His work has recently been shown at Moderna Museet in Stockholm, CAC Brétigny and the Whitechapel Gallery and Raven Row in London.· · ·Graziela Kunsch
is an artist and educator from São Paulo. In her projects, she involves people outside the context of art as co-creators, allowing the initial propositions to be transformed. Since becoming a mother, she has focused on childhood, free play and parenting. Inspired by Emmi Pikler’s pedagogical approach, she creates spaces for play and care and mediates groups in which babies play and adults observe. She also used these principles to document her daughter’s free motor development. Kunsch is the editor of Urbânia magazine, whose sixth issue addresses the concept of "public as mutual", the collective construction among people with diverse backgrounds and experiences.· · ·Penny Wilson
studied illustration in the 1980s and became a playworker after leaving art school. It was here, seeing children at play, that she rediscovered the spontaneous creativity that had initially drawn her to the arts. After spending years in parks, streets and housing estates for the inclusive play association Adventure Playgrounds, she met Assemble while they were developing their film The Voice of Children for the Venice Biennale. Refreshed by their novel and authentic approach, she joined the collective and helped realise a long-term playwork project in London's Kings Cross, inspired by the "loose parts" philosophy. The project continued after the Covid lockdowns and AssemblePlay has since become a household name, working with many different organisations across London.· · ·